blade runner 2049 roger deakins interview

Most people don’t necessarily associate closeups with Deakins’ work, which is what makes “ Doubt” such a unique achievement in his career. The shot comes from the movie’s Las Vegas section, in which Deakins and Denis Villeneuve drew inspiration from photos of a dust storm that hit Sydney in 2009. wisely made this shot of Gosling’s silhouette against an orange haze one of the hallmarks of the film’s marketing. “ Blade Runner 2049” is Deakins’ most recent effort, but it’s already being hailed by critics as one of his best. The famous dream sequence from “ The Big Lebowski” is one of Deakins’ most playful and surreal sequences, highlighted by this under-the-leg shot of a bowling lane that more than earns its comparisons to Stanley Kubrick. The transition gave birth to one of cinema’s all-time great collaborations. The DP had to abandon the verité techniques of his early work and adapt to the Coen brothers’ methodical blocking and storyboarding process. “ Barton Fink” is a milestone in Deakins’ career, marking the first of 12 collaborations with Joel and Ethan Coen.

IndieWire recently named Deakins’ work on “Jesse James” the best cinematography of the 21st century. He utilizes a stark contrast of light and a hazy grain to give Andrew Dominik’s elegiac Western the look and feel of a faded old photograph. This silhouette shot from the train robbery scene in “ The Assassination of Jesse James by the Coward Robert Ford” ranks among Deakins’ finest images ever. “The Assassination of Jesse James by the Coward Robert Ford” (2007).In celebration of the release, we look back at Deakins’ iconic career through 20 jaw-dropping shots. His work has defined the films of the Coen Brothers, Sam Mendes, and Denis Villeneuve, among many others, and he has perfected the art of the cinematic silhouette like no other DP in history.ĭeakins is back on the big screen this month with “Blade Runner 2049,” which critics are already calling one of his greatest achievements to date. Roger Deakins has been shooting movies for nearly four decades, and although he still doesn’t have an Oscar to his name, he is unquestionably one of the most iconic cinematographers the industry has ever seen.

Blade runner 2049 roger deakins interview